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Steve F. Anderson
Steve F. Anderson is an Associate Professor and founding director of the Ph.D. program in Media Arts and Practice at the USC School of Cinematic Arts. He co-edits the interdisciplinary electronic journal Vectors Journal of Culture and Technology in a Dynamic Vernacular and is the founder of Critical Commons, an online media archive and fair use advocacy network. He is author of the book ''Technologies of History: Visual Media and the Eccentricity of the Past'' (Dartmouth 2011).
''Technologies of History'' marks an intervention in the academic sub-field of Film and History, which has largely focused on the accuracy and verifiability of cinematic and televisual history, especially in the genres of documentary and historical epics.〔Steve F. Anderson ("Introduction to ''Technologies of History'' (Dartmouth College Press 2011)" )〕 Anderson's book advocates consideration of the historiographical value of non-traditional (what he terms "eccentric") forms of visual history including experimental film and video, fake documentary, found footage, science fiction time travel and digital games. D. L. LeMahieu's book review in the journal Film & History notes that "Anderson’s validation of the idiosyncratic and experimental opens new areas of research and analysis for historians."〔D. L. LeMahieu. ("Modular Narratives in Contemporary Cinema by Allan Cameron, and: Abandoned Images: Film and Film's End by Stephen Barber, and: Technologies of History: Visual Media and the Eccentricity of the Past by Steve F. Anderson" )〕
Anderson is also known for his contributions to the fields of digital humanities, scholarly electronic publishing, fair use advocacy and technocultural studies. He received his Ph.D. in 2001 from the Film, Literature & Culture program at the University of Southern California under the direction of Professors David James, Marita Sturken and Leo Braudy and an MFA in Film and Video from CalArts in 1990. He was awarded a grant from the HASTAC/MacArthur Foundation Digital Media and Learning competition in 2008 to create the public media archive ''Critical Commons''〔Sheryl Grant ("Critical Commons: Advocacy, Knowledge Networking and Media-sharing Tools for Educators" )〕 and in 2014-15 he won a prestigious Digital Innovation Fellowship from the American Council of Learned Societies (ACLS) to support his project "Technologies of Cinema: A Critical Digital Archive and Multimodal History of the American Technocultural Imaginary."〔American Council of Learned Societies ("ACLS Awards 2014 Digital Innovation Fellowships to Seven Scholars" )〕
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